To celebrate our 150th episode we're celebrating the end of the world! We talk Apocalypticism, the study of doomsdays across different cultures and theologies. Having some fun with the idea, we focus on three end of the world comedies, Edgar Wright's The World's End, Seth Rogen & Evan Goldberg's This is the End, with The Happening in between. For M. Night Shyamalan's Mark Wahlberg-helmed disaster we recorded our audio commentary and edited it down to the best parts for your listening pleasure.
We take a look at the Netflix true-crime docuseries "The Staircase". Leaving spoilers for the second half of this episode, we take a deep dive into Kathleen Peterson's mysterious death and the court case surrounding Michael Peterson. Exploring the docuseries and beyond, we offer some armchair sleuthing as well as other sources for the listener to explore the case.
We're back talking about music in our favorite (and classic) horror movies. We analyze a few classics and talk about their production. Mindy talks theory, influences and how Bernard Herrmann is the Bach of movie composers. Check out Werewolves in Siberia here: https://werewolvesinsiberia.bandcamp.com/
In our first part of our Sounds of Horror series we're talking about movie music. John Carpenter is back to score Halloween, and records and CDs are outselling music downloads, so it's a great time to talk about movie scores.
We talk about some favorite director/musician combinations and the origins of putting music to film.
We assemble our Save Horror Madness brackets for our annual contest with Women in Caskets, Miskatonic Musings, and Tab & Jacob of Test Pattern. We tried to mix horror favorites with good sense, and some coin flipping. Have a look--have a listen--vote yourself on Twitter and Facebook and wish us luck!
Get your brackets at https://www.savehorror.com/madness
Joined by our good friend and fellow horror fan, Tony (@flirtaciousboi), we cover a provocative cross section of mid-2000s horror remakes. Starting with Texas Chainsaw Massacre (2003), then Jaume Collet-Serra's House of Wax (2005), and finish out with Alexandre Aja's extreme take on The Hills Have Eyes (2006).